Pancẖ rāgnī sang ucẖrahī.
It is accompanied by the voices of its five Raaginis:
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Paratham bẖairvī bilāvalī.
First come Bhairavee, and Bilaavalee;
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Punni▫ākī gāvahi banglī.
then the songs of Punni-aakee and Bangalee;
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Pun aslekẖī kī bẖa▫ī bārī.
and then Asalaykhee.
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Ė bẖairo kī pācẖa▫o nārī.
These are the five consorts of Bhairao.
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Pancẖam harakẖ ḏisākẖ sunāvėh.
The sounds of Pancham, Harakh and Disaakh;
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Bangālam maḏẖ māḏẖav gāvahi. ||1||
the songs of Bangaalam, Madh and Maadhav. ||1||
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Lalaṯ bilāval gāvhī apunī apunī bẖāʼnṯ.
Lalat and Bilaaval - each gives out its own melody.
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Asat puṯar bẖairav ke gāvahi gā▫in pāṯar. ||1||
when these eight sons of Bhairao are sung by accomplished musicians. ||1||
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Ḏuṯī▫ā mālka▫usak ālāpėh.
In the second family is Maalakausak,
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Sang rāgnī pācẖa▫o thāpėh.
who brings his five Raaginis:
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Goʼndkarī ar ḏevganḏẖārī.
Gondakaree and Dayv Gandhaaree,
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Ganḏẖārī sīhuṯī ucẖārī.
the voices of Gandhaaree and Seehutee,
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Ḏẖanāsrī e pācẖa▫o gā▫ī.
and the fifth song of Dhanaasaree.
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Māl rāg ka▫usak sang lā▫ī.
This chain of Maalakausak brings along:
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Mārū masaṯang mevārā.
Maaroo, Masta-ang and Mayvaaraa,
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Parabalcẖand ka▫usak ubẖārā.
Prabal, Chandakausak,
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Kẖa▫ukẖat a▫o bẖa▫urānaḏ gā▫e.
Khau, Khat and Bauraanad singing.
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Asat mālka▫usak sang lā▫e. ||1||
These are the eight sons of Maalakausak. ||1||
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Pun ā▫i▫a▫o hindol pancẖ nār sang asat suṯ.
Then comes Hindol with his five wives and eight sons;
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Uṯẖėh ṯān kalol gā▫in ṯār milāvahī. ||1||
it rises in waves when the sweet-voiced chorus sings. ||1||
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Ŧelangī ḏevkarī ā▫ī.
There come Taylangee and Darvakaree;
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Basanṯī sanḏūr suhā▫ī.
Basantee and Sandoor follow;
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Saras ahīrī lai bẖārjā.
then Aheeree, the finest of women.
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Sang lā▫ī pāʼncẖa▫o ārjā.
These five wives come together.
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Surmānanḏ bẖāskar ā▫e.
The sons: Surmaanand and Bhaaskar come,
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Cẖanḏarbimb manglan suhā▫e.
Chandrabinb and Mangalan follow.
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Sarasbān a▫o āhi binoḏā.
Sarasbaan and Binodaa then come,
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Gāvahi saras basanṯ kamoḏā.
and the thrilling songs of Basant and Kamodaa.
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Asat puṯar mai kahe savārī.
These are the eight sons I have listed.
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Pun ā▫ī ḏīpak kī bārī. ||1||
Then comes the turn of Deepak. ||1||
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Kacẖẖelī patmanjrī todī kahī alāp.
Kachhaylee, Patamanjaree and Todee are sung;
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Kāmoḏī a▫o gūjrī sang ḏīpak ke thāp. ||1||
Kaamodee and Goojaree accompany Deepak. ||1||
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Kālankā kunṯal a▫o rāmā.
Kaalankaa, Kuntal and Raamaa,
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Kamalkusam cẖampak ke nāmā.
Kamalakusam and Champak are their names;
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Ga▫urā a▫o kānrā kal▫yānā.
Gauraa, Kaanaraa and Kaylaanaa;
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Asat puṯar ḏīpak ke jānā. ||1||
these are the eight sons of Deepak. ||1||
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Sabẖ mil sirīrāg vai gāvahi.
All join together and sing Siree Raag,
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Pāʼncẖa▫o sang barangan lāvėh.
which is accompanied by its five wives.:
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Bairārī karnātī ḏẖarī.
Bairaaree and Karnaatee,
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Gavrī gāvėh āsāvarī.
the songs of Gawree and Aasaavaree;
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Ŧih pācẖẖai sinḏẖvī alāpī.
then follows Sindhavee.
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Sirīrāg si▫o pāʼncẖa▫o thāpī. ||1||
These are the five wives of Siree Raag. ||1||
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Sālū sārag sāgrā a▫or gond gambẖīr.
Saaloo, Saarang, Saagaraa, Gond and Gambheer -
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Asat puṯar sarīrāg ke gund kumbẖ hamīr. ||1||
the eight sons of Siree Raag include Gund, Kumb and Hameer. ||1||
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Kẖastam megẖ rāg vai gāvahi.
In the sixth place, Maygh Raag is sung,
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Pāʼncẖa▫o sang barangan lāvėh.
with its five wives in accompaniment:
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Soraṯẖ gond malārī ḏẖunī.
Sorat'h, Gond, and the melody of Malaaree;
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Pun gāvahi āsā gun gunī.
then the harmonies of Aasaa are sung.
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Ūcẖai sur sūha▫o pun kīnī.
And finally comes the high tone Soohau.
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Megẖ rāg si▫o pāʼncẖa▫o cẖīnī. ||1||
These are the five with Maygh Raag. ||1||
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Bairāḏẖar gajḏẖar keḏārā.
Bairaadhar, Gajadhar, Kaydaaraa,
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Jablīḏẖar nat a▫o jalḏẖārā.
Jabaleedhar, Nat and Jaladhaaraa.
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Pun gāvahi sankar a▫o si▫āmā.
Then come the songs of Shankar and Shi-aamaa.
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Megẖ rāg puṯran ke nāmā. ||1||
These are the names of the sons of Maygh Raag. ||1||
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Kẖasat rāg un gā▫e sang rāgnī ṯīs.
So all together, they sing the six Raagas and the thirty Raaginis,
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Sabẖai puṯar rāgann ke aṯẖārah ḏas bīs. ||1||1||
and all the forty-eight sons of the Raagas. ||1||1||
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